{"id":1654,"date":"2026-05-21T13:20:54","date_gmt":"2026-05-21T13:20:54","guid":{"rendered":"https:\/\/bevanprintworks.co.za\/?post_type=product&#038;p=1654"},"modified":"2026-05-25T09:36:57","modified_gmt":"2026-05-25T09:36:57","slug":"byzantine-no-3-mosaics","status":"publish","type":"product","link":"https:\/\/bevanprintworks.co.za\/?product=byzantine-no-3-mosaics","title":{"rendered":"Byzantine No. 3 Mosaics"},"content":{"rendered":"<p data-path-to-node=\"4\">Celebrate the intricate geometry and vibrant artistry of early Christian design with this magnificent antique ornamental poster. Originally compiled in 1856 by the pioneering British architect and design theorist <b data-path-to-node=\"4\" data-index-in-node=\"213\">Owen Jones<\/b> for his seminal masterpiece <i data-path-to-node=\"4\" data-index-in-node=\"252\">The Grammar of Ornament<\/i>, this striking compendium plate is titled <i data-path-to-node=\"4\" data-index-in-node=\"318\">Byzantine No. 3<\/i>.<\/p>\n<p data-path-to-node=\"5\">Presenting a spectacular array of authentic Byzantine mosaic bands, interlocking diamond patterns, floral roundels, and geometric borders, this meticulously restored print captures the rich decorative heritage of the Byzantine Empire. Set against a naturally warm cream background and printed in a vibrant palette of forest greens, deep reds, and golden ambers, this print injects an extraordinary sense of historic sophistication and complex abstract beauty into your home.<\/p>\n<p data-path-to-node=\"7\"><b data-path-to-node=\"7\" data-index-in-node=\"0\">The History:<\/b> First published in London in 1856, <i data-path-to-node=\"7\" data-index-in-node=\"48\">The Grammar of Ornament<\/i> by Owen Jones (1809\u20131874) remains one of the most influential design sourcebooks ever produced. Jones was a visionary reformer and a key figure in the creation of the South Kensington Museum (now the Victoria and Albert Museum), advocating for a new approach to modern flat patterning rooted in structural principles rather than simple imitation. Working with master lithographer Francis Bedford and the printing firm Day &amp; Son, Jones utilized cutting-edge chromolithography to reproduce historical decorative details with unprecedented accuracy and rich color. Plate XXX (<i data-path-to-node=\"7\" data-index-in-node=\"645\">Byzantine No. 3<\/i>) documents the magnificent architectural mosaics and decorative stone accents found across ancient churches in places like Constantinople, Ravenna, and Venice, capturing the unique cultural convergence of Eastern and Western design traditions.<\/p>\n<p data-path-to-node=\"8\"><b data-path-to-node=\"8\" data-index-in-node=\"0\">The Aesthetic:<\/b> A masterclass in historical pattern coordination and complex spatial division, this composition brings together over two dozen distinct Byzantine motifs into a beautifully balanced graphic arrangement. The layout moves effortlessly from intricate, stylized floral continuous bands to bold diamond-grid panels filled with abstract geometric stars and interlocking mosaic tesserae. The sharp, dark outlines emphasize the brilliant interplay of deep olive, amber gold, and rich brick red colors. Framed by classical multilingual notations (&#8220;BYZANTINISCH,&#8221; &#8220;BYZANTINE N\u00ba 3,&#8221; &#8220;BYZANTINS&#8221;) at the upper margin, this poster effortlessly turns a historical architectural blueprint into a mesmerizing piece of modern wall art.<\/p>\n<p data-path-to-node=\"9\"><b data-path-to-node=\"9\" data-index-in-node=\"0\">It is an ideal statement piece for:<\/b><\/p>\n<ul data-path-to-node=\"10\">\n<li>\n<p data-path-to-node=\"10,0,0\">Architects, interior designers, history scholars, textile enthusiasts, and collectors of vintage geometric patterns and Victorian lithographs.<\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"10,1,0\">Living rooms, executive home offices, master bedrooms, dining rooms, or spaces featuring rich woodwork and transitional styling.<\/p>\n<\/li>\n<li>\n<p data-path-to-node=\"10,2,0\">Bohemian, eclectic, traditional European, maximalist, or Arts and Crafts interior styles that celebrate intricate textures and a storied past.<\/p>\n<\/li>\n<\/ul>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">Product Details<\/b><\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"16\">Artist:<\/b> Owen Jones &#8211; Vintage Chromolithograph Poster<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"69\">Title:<\/b> Byzantine No. 3 Mosaics (<i data-path-to-node=\"12\" data-index-in-node=\"101\">Plate XXX &#8211; The Grammar of Ornament<\/i>)<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"138\">Subject:<\/b> Antique Byzantine Geometric and Floral Mosaic Study<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"199\">Original Year:<\/b> 1856<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"219\">Style:<\/b> Victorian Chromolithography \/ Historical Design Pattern \/ Architectural Ornament<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Museum-Quality Vintage Prints<\/b><\/p>\n<p data-path-to-node=\"15\">Our vintage posters are made to order using premium Gicl\u00e9e printing techniques. Every piece is printed on thick, heavyweight fine art paper (200gsm) with a smooth, completely matte finish.<\/p>\n<p data-path-to-node=\"16\">We specifically source an acid-free, natural-toned paper that perfectly recreates the warmth and authentic character of original mid-century lithographs. Unlike standard glossy posters, our premium matte finish ensures there is zero glare when your artwork is framed behind glass, resulting in a rich, museum-quality display. Combined with long-lasting, UV-resistant pigment inks, your print is designed to remain vibrant for generations.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Celebrate the intricate geometry and vibrant artistry of early Christian design with this magnificent antique ornamental poster. Originally compiled in 1856 by the pioneering British architect and design theorist <b data-path-to-node=\"4\" data-index-in-node=\"213\">Owen Jones<\/b> for his seminal masterpiece <i data-path-to-node=\"4\" data-index-in-node=\"252\">The Grammar of Ornament<\/i>, this striking compendium plate is titled <i data-path-to-node=\"4\" data-index-in-node=\"318\">Byzantine No. 3<\/i>.<\/p>\n","protected":false},"featured_media":1659,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[87,124],"product_tag":[],"class_list":["post-1654","product","type-product","status-publish","has-post-thumbnail","product_cat-all-posters","product_cat-vertical-posters","first","instock","taxable","shipping-taxable","purchasable","product-type-variable"],"_links":{"self":[{"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=\/wp\/v2\/product\/1654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=\/wp\/v2\/product"}],"about":[{"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1654"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=\/wp\/v2\/media\/1659"}],"wp:attachment":[{"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1654"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_brand&post=1654"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_cat&post=1654"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/bevanprintworks.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_tag&post=1654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}