Chinese Floral Pattern, Plate LXXXVII

Step into the opulent, intricately detailed world of 19th-century decorative design and Qing dynasty porcelain art with this exquisite fine art poster. Originally published in 1867 by the renowned British architect and design theorist Owen Jones, this vibrant chromolithograph plate—titled Plate LXXXVII (87) from his landmark volume Examples of Chinese Ornament—showcases an extraordinary, all-over floral pattern inspired by traditional Chinese painted enamels and cloisonné metalwork.

Featuring a dense, breathtaking tapestry of stylized lotus blossoms, peonies, morning glories, and winding foliage in a rich spectrum of magenta, coral-red, marigold, pale yellow, and turquoise-green, this meticulously restored print is framed by subtle geometric borders. Set against an open ivory backdrop with the original Roman numeral header “LXXXVII.”, this print brings a lavish, historic, and maximalist elegance to modern walls.

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The History: Owen Jones (1809–1874) was a monumental figure in 19th-century British design, celebrated for his role in decorating the Crystal Palace for the Great Exhibition of 1851 and for authoring The Grammar of Ornament (1856). Following the arrival of exquisite Chinese porcelain and cloisonné enamels in Western collections during the 1860s, Jones published Examples of Chinese Ornament in 1867 to catalog the vibrant color harmonies and fluid balance of Qing Dynasty artisans. Jones argued that Chinese artists possessed an unmatched ability to balance complex primary and secondary colors across intricate surface geometries without sacrificing visual harmony. Today, this masterwork stands as a landmark in Western appreciation of East Asian decorative arts.

The Aesthetic: A masterclass in maximalist pattern design and color balance, this composition presents a dense, rhythmic field of interlocking botanical forms. Jones captures the essence of traditional Chinese enamelwork through brilliant, high-contrast hues—layering deep pinks, fiery oranges, and soft butter yellows against lush green foliage and delicate blue vines. Scattered throughout the intricate arrangement are stylized lotus blooms, symbolizing purity and renewal, interwoven with sinuous stems and leafy tendrils. Grounded by a clean, neutral border that highlights the central chromolithographic plate and its historical Roman numeral header, this print effortlessly adds a luxurious, worldly focal point to contemporary interiors.

It is an ideal statement piece for:

• Interior designers, textile artists, collectors of East Asian decor, art history scholars, and lovers of vintage Victorian chromolithographs.

• Living rooms, dining areas, kitchens, creative studios, grand entryways, or as a vibrant centerpiece in a maximalist gallery wall.

• Maximalist, Asian-inspired, bohemian, Hollywood regency, or transitional interior design styles that embrace rich color palettes, intricate patterns, and historical depth.

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Product Details

Artist / Designer: Owen Jones (British, 1809–1874)

Title: Chinese Floral Pattern (Plate LXXXVII, Examples of Chinese Ornament)

Subject: Antique Qing Dynasty Enamel and Cloisonné Pattern Study

Original Year: 1867

Style: Victorian Decorative Arts / Chromolithographic Pattern Design

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Museum-Quality Vintage Prints

Our vintage posters are made to order using premium Giclée printing techniques. Every piece is printed on thick, heavyweight fine art paper (200gsm) with a smooth, completely matte finish.

We specifically source an acid-free, natural-toned paper that perfectly recreates the warmth and authentic character of original mid-century lithographs. Unlike standard glossy posters, our premium matte finish ensures there is zero glare when your artwork is framed behind glass, resulting in a rich, museum-quality display. Combined with long-lasting, UV-resistant pigment inks, your print is designed to remain vibrant for generations.