Chinese Teal Floral Pattern, Plate LXXVIII

Immerse your space in the lush, opulent depth and intricate color harmony of 19th-century decorative art with this stunning fine art poster. Originally published in 1867 by the pioneering British architect and design theorist Owen Jones, this breathtaking chromolithograph—titled Plate LXXVIII (78) from his celebrated volume Examples of Chinese Ornament—recreates an exquisite painted floral pattern adapted from Qing dynasty Chinese porcelain.

Set against a vibrant, saturated teal background, a dense field of delicate green vines and tendrils twists around a constellation of multi-hued blossoms in canary yellow, soft pink, cream, and crimson. Framed by clean, neutral borders and topped by its original Roman numeral header “LXXVIII.”, this meticulously restored print offers a captivating fusion of historical craftsmanship and sophisticated, maximalist elegance.

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The History: Owen Jones (1809–1874) was one of the Victorian era’s most influential taste-makers, famous for supervising the interior decoration of the Crystal Palace at the Great Exhibition of 1851 and for publishing The Grammar of Ornament (1856). Following the arrival of magnificent Qing Dynasty porcelain and cloisonné enamels in London’s South Kensington Museum (now the Victoria and Albert Museum) during the 1860s, Jones was inspired to create Examples of Chinese Ornament in 1867. Transformed by the Chinese masters’ sophisticated color balancing and fluid botanical motifs, Jones produced 100 groundbreaking chromolithographic plates that redefined Western appreciation of East Asian art and deeply influenced the Arts and Crafts and Art Nouveau movements.

The Aesthetic: A masterclass in color harmony and organic rhythm, this composition relies on a striking contrast between cool and warm tones. The deep, waxy teal-cyan backdrop serves as a rich canvas for an intricate web of dark green foliage and sinuous vines. Interspersed throughout are dozens of delicate, jewel-like flowers in marigold yellow, blush pink, ruby, and pale grey, punctuated along the right border by larger, layered peony and lotus blossoms. Completed by its authentic archival Roman numeral header, this high-contrast print adds an effortless layer of luxury, academic history, and naturalistic texture to any contemporary room.

It is an ideal statement piece for:

• Interior designers, textile collectors, lovers of East Asian ceramics, art history enthusiasts, and admirers of vintage Victorian chromolithographs.

• Elegant living rooms, formal dining areas, main bedrooms, creative studios, grand entryways, or as a rich focal point on a gallery wall.

• Maximalist, Asian-inspired, bohemian, Hollywood regency, or transitional interior design styles that embrace deep jewel tones and intricate botanical patterns.

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Product Details

Artist / Designer: Owen Jones (British, 1809–1874)

Title: Chinese Teal Floral Pattern (Plate LXXVIII, Examples of Chinese Ornament)

Subject: Antique Qing Dynasty Porcelain Floral Pattern Study

Original Year: 1867

Style: Victorian Decorative Arts / Chromolithographic Pattern Design

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Museum-Quality Vintage Prints

Our vintage posters are made to order using premium Giclée printing techniques. Every piece is printed on thick, heavyweight fine art paper (200gsm) with a smooth, completely matte finish.

We specifically source an acid-free, natural-toned paper that perfectly recreates the warmth and authentic character of original mid-century lithographs. Unlike standard glossy posters, our premium matte finish ensures there is zero glare when your artwork is framed behind glass, resulting in a rich, museum-quality display. Combined with long-lasting, UV-resistant pigment inks, your print is designed to remain vibrant for generations.