Blue & White Chinese Floral Pattern, Plate XXVI

Bring the timeless sophistication, serene beauty, and rich heritage of 19th-century chinoiserie and Qing dynasty porcelain art into your home with this exceptional fine art poster. Originally published in 1867 by the renowned British architect and design theorist Owen Jones, this elegant chromolithograph—titled Plate XXVI (26) from his landmark volume Examples of Chinese Ornament—recreates a classic cobalt-blue and white floral motif drawn from antique Chinese porcelain and painted ceramics.

Featuring an intricate, scrolling tapestry of stylized lotus blossoms, peonies, and sinuous leafy tendrils in rich shades of indigo and sapphire blue against a naturally warm ivory backdrop, this meticulously restored print is topped by its original Roman numeral header “XXVI.”. It seamlessly bridges classical East Asian craftsmanship with modern interior design, offering a calm, balanced, and deeply historic statement for your walls.

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The History: Owen Jones (1809–1874) was a monumental figure in 19th-century British design, famed for supervising the interior decoration of the Crystal Palace at the Great Exhibition of 1851 and publishing The Grammar of Ornament (1856). Following the arrival of exquisite Qing Dynasty porcelain, painted enamels, and cloisonné in London’s South Kensington Museum (now the Victoria and Albert Museum), Jones published Examples of Chinese Ornament in 1867. Deeply impressed by the fluid geometric rhythm and mastery of blue-and-white glazes demonstrated by Chinese artisans, Jones created 100 groundbreaking plates to inspire Western artists and manufacturers. Today, this masterwork stands as a historic celebration of traditional blue-and-white ceramic art.

The Aesthetic: A masterclass in monochromatic balance and organic rhythm, this composition transforms traditional cobalt-on-white porcelain painting into a striking flat pattern. Jones captures the undulating movement of scrolling vines (lingzhi and lotus tendrils), weaving together fully blown peony blooms, delicate buds, and feathered leaves in varied tones of royal blue, ultramarine, and deep navy. Grounded by a generous off-white border and its authentic archival Roman numeral header, this high-contrast print adds an effortless layer of academic history, serene symmetry, and fresh biophilic texture to modern decor.

It is an ideal statement piece for:

• Interior designers, textile artists, ceramic enthusiasts, collectors of blue-and-white chinoiserie, art historians, and admirers of Victorian chromolithographs.

• Light-filled living rooms, formal dining areas, main bedrooms, coastal or hamptons-style spaces, hallways, or as a classic focal point on a gallery wall.

• Grandmillennial, Chinoiserie chic, Coastal, Japandi, modern farmhouse, or transitional interior design styles that embrace classic blue-and-white color palettes.

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Product Details

Artist / Designer: Owen Jones (British, 1809–1874)

Title: Blue & White Chinese Floral Pattern (Plate XXVI, Examples of Chinese Ornament)

Subject: Antique Qing Dynasty Porcelain & Blue and White Ceramic Pattern Study

Original Year: 1867

Style: Victorian Decorative Arts / Chromolithographic Pattern Design

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Museum-Quality Vintage Prints

Our vintage posters are made to order using premium Giclée printing techniques. Every piece is printed on thick, heavyweight fine art paper (200gsm) with a smooth, completely matte finish.

We specifically source an acid-free, natural-toned paper that perfectly recreates the warmth and authentic character of original mid-century lithographs. Unlike standard glossy posters, our premium matte finish ensures there is zero glare when your artwork is framed behind glass, resulting in a rich, museum-quality display. Combined with long-lasting, UV-resistant pigment inks, your print is designed to remain vibrant for generations.