Chinese Crimson Floral Scroll, Plate XLIII

Step into the vibrant, opulent world of 19th-century decorative design and Qing dynasty ceramic art with this breathtaking fine art poster. Originally published in 1867 by the legendary British architect and design theorist Owen Jones, this striking chromolithograph—titled Plate XLIII (43) from his celebrated volume Examples of Chinese Ornament—recreates a magnificent crimson-and-white scrolling floral pattern adapted from antique Chinese porcelain and enamelware.

Featuring a dense, rhythmic field of swirling white tendrils and delicate chrysanthemum-like rosettes set against a deep, fiery red background with subtle gold and olive accents, this meticulously restored print is topped by its original Roman numeral header “XLIII.”. It brings a bold, energizing, and sophisticated focal point to modern walls, bridging classical East Asian motif design with Victorian chromolithographic craftsmanship.

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The History: Owen Jones (1809–1874) was a monumental figure in 19th-century British design, famed for supervising the interior decoration of the Crystal Palace at the Great Exhibition of 1851 and for authoring The Grammar of Ornament (1856). Following the arrival of exquisite Qing Dynasty porcelain, painted enamels, and cloisonné in London’s South Kensington Museum (now the Victoria and Albert Museum), Jones published Examples of Chinese Ornament in 1867. Captivated by how Chinese master artisans balanced intricate primary and secondary colors over complex, repeating curves, Jones created 100 groundbreaking plates to inspire Western decorative arts and manufacturers. Today, this masterwork stands as a landmark in Victorian design theory and the appreciation of Asian decorative history.

The Aesthetic: A masterclass in high-contrast color harmony and fluid geometric balance, this composition relies on the classic scrolling vine layout to create a feeling of continuous motion. Jones pairs a rich, saturated red field with intricate, filigree-like white tendrils that coil into elaborate rosettes. At key intersections, multi-petaled white flowers blossom with subtle olive-green and gilded center details, providing grounded focal points across the bustling canvas. Framed by a clean off-white border and its authentic Roman numeral header, this high-contrast print adds an effortless layer of luxury, academic history, and dramatic texture to any room.

It is an ideal statement piece for:

• Interior designers, textile artists, ceramic lovers, collectors of Asian-inspired decor, art historians, and admirers of Victorian chromolithography.

• Vibrant living rooms, dining spaces, home bars, creative studios, grand entryways, or as a striking pop of color on a curated gallery wall.

• Maximalist, Asian-inspired, Art Deco, Hollywood regency, or transitional interior design styles that value rich crimson palettes and intricate historic patterns.

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Product Details

Artist / Designer: Owen Jones (British, 1809–1874)

Title: Chinese Crimson Floral Scroll (Plate XLIII, Examples of Chinese Ornament)

Subject: Antique Qing Dynasty Porcelain & Enamel Pattern Study

Original Year: 1867

Style: Victorian Decorative Arts / Chromolithographic Pattern Design

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Museum-Quality Vintage Prints

Our vintage posters are made to order using premium Giclée printing techniques. Every piece is printed on thick, heavyweight fine art paper (200gsm) with a smooth, completely matte finish.

We specifically source an acid-free, natural-toned paper that perfectly recreates the warmth and authentic character of original mid-century lithographs. Unlike standard glossy posters, our premium matte finish ensures there is zero glare when your artwork is framed behind glass, resulting in a rich, museum-quality display. Combined with long-lasting, UV-resistant pigment inks, your print is designed to remain vibrant for generations.